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The recording in the photograph above was an 8-track master made at an
outdoor music festival in 1971. It was then stored in a basement where it
lay submerged for some years. Upon testing, insects were found to have been
living between the layers of the tape, there was extensive curling of the
base, and the oxide was badly flaking off due to failure of the
hygroscopic binder in the extreme humidity. After cleaning and proper
playback, it was mixed down and reissued by a major label in 1994.
Although the sound quality of the recording is not as good as one might
wish, enough was recovered from the damaged master for release.
While we do not specialize in remastering and salvaging of existing
recordings, we do have facilities available for dealing with such
materials. These include tape baking facilities, playback decks
specifically modified to play back damaged tapes, and various mechanical
tape treatments.
Limited facilities to handle acetates are available, with Thorens and
Fairchild transcription turntables set up. There is a conventional Nitty
Gritty record cleaning machine, as well as a specialized cleaning machine
for handling sixteen-inch transcription discs and a small ultrasonic cleaner
for very badly damaged materials.
We do not have any noise reduction facilities available, but can recommend
several mastering houses which do. Noise reduction should not be part of
the transfer, but should be handled in the mastering process where it is
more easily undone. Noise reduction, however, will not be effective unless
a clean and accurate transfer is made.